Addressing the topic of Taiwanese Traditional marriage in English, Taiwanese, and Dutch. In our design approach, we prioritise a clean and focused aesthetic with a modern and elegant layout. We assign equal importance to the three languages, ensuring that they have a balanced presence throughout the design. The original photography remains the core focus, while strategically placed elements maintain coherence and harmony.

A multidisciplinary project aimed at reinventing the spatial and visual identity of Aedes Architecture Forum — a world-renowned, independent institution for the international discourse on contemporary architecture and urban design.

The concept
At the heart of the concept lies a single question: How can we create a space that fits everyone? The solution is a system of mobile flaps, allowing users to shape the environment to their needs — forming open communal zones or more private working areas with ease.

The Space 
Collaborating with two architects and two interior designers, we developed a holistic concept that reflects both the core values of Aedes — simplicity, familiarity, and openness — and its diverse functional needs. The space was reimagined as highly dynamic and modular, able to adapt fluidly to a wide range of activities, from exhibitions and conferences to workshops and individual work.

The logo
This flexible, user-driven approach is also echoed in the visual identity. The logo design is inspired by the idea of moving parts, capturing the adaptability and inclusivity at the core of the project.

Visual Identity
To further express the concept of individual agency in shaping space, we invited a test group to each fold a blank A4 sheet of paper in a way that felt intuitive or aesthetically pleasing to them. These unique folded forms became the foundation for the visual identity, symbolising personal interaction, adaptability, and collective creativity

Signage 
Given the dynamic nature of the space, clear and intuitive signage was a key focus. We designed accessible infographics to guide each visitor upon entry, providing straightforward instructions on how to use the movable flaps and customise the space to suit their individual needs.

Visual Identity in Use
A selection of graphic applications including posters and business cards, showcasing the visual identity translated across various formats. 

Social media Content
Example of instagram gri
Social Media Content
Example of an Instagram grid layout, showcasing cohesive visual storytelling and brand alignment across multiple posts.

Exibit curation
Exhibition posters 
Mechandising

For this exhibition, Brum collective created a series of multimedia artifacts to celebrate a fictitious religion that idolizes cars. I designed an exhibition poster to promote Brum’s participation in Sierra’s exhibit, along with saint cards—a typical Italian tradition of keeping a picture of a saint with a prayer—reimagined and modernized in the satirical spirit of Brum Brum. 

Brum Brum is a collective of multidisciplinary artists, mostly focused on graffiti. The concept is to concentrate solely on one theme: cars, and explore it in all its artistic possibilities. The style is simple and playful to support the fun and ironic spirit of the collective. 

The logo
Designed to capture the theme of cars while keeping playfulness at the centre, this logo balances automotive elements with a lighthearted, approachable feel.

Screen prints 
A series of playful screen prints combining vibrant colours and whimsical designs to create engaging, lighthearted art pieces.

Limited edition screen print series reinventing each zodiac sign as a unique car, blending astrological symbolism with automotive design in a playful and imaginative way.
Illustrations,  execution by me.

Stickers 
Concept illustrations spelling out the word “BRUM” through creative and playful designs, developed for a sticker series.

A series of short-form social media content, stills and animations developed for a London-based design agency to enhance brand identity and communicate core values. In addition to animations, banners and various graphic assets, such as email headers, were created to support internal promotional initiatives. The content combines engaging visuals with clear messaging to reflect the agency’s creative ethos.

Step into the enchanting world of Jil Sander through the lens of our meticulously designed art book, brought to life under the masterful art direction of Alice Prosperi. Delve deep into the cosmic ether of Jil Sander, a brand transcending time, where an exquisitely suspended egg serves as a visual metaphor for its timeless essence. 

Our book intricately weaves together the outer layers of space and surfaces, tracing their transformation into the fabric of Jil Sander's collections. Each page is a testament to our commitment to capturing the core ideas of the brand in original abstract and graphic representations. As the narrative unfolds, we delve into the brand's artistic inspirations, exploring the sacred places and revered artists that have left an indelible mark on its identity.

The design approach for the poster addressing the issue of unreachable beauty standards being imposed on children from a young age, leading to future eating disorders, takes on a bold, ironic, and sarcastic tone. Through the visual elements, the design seeks to grab attention and provoke contemplation. The use of irony adds a layer of critique, shedding light on the seriousness of the issue.

My Body is a display typeface that emerges from the contours of women’s bodies, inspired by the expressive gestures of life-drawing models. The font is available in two styles: a flat version that emphasizes clean, graphic lines, and a volumetric version that adds sculptural depth, evoking the physicality and presence of the human form.
Designed as a feminist statement, this typeface challenges conventional standards of representation. It centers bodily autonomy by allowing women to reclaim the visual narrative of their own forms. The expressive nature of the letterforms speaks to strength, vulnerability, and the multiplicity of identity transforming the body into a site of self-authored design.

Font book
A visual exploration of the typeface. This book traces its evolution from life-drawing studies to flat and volumetric styles, blending anatomy and typography into a manifesto of self-representation in design.

Screen Prints
A series of screen prints showcasing the flat version of My Body, the typeface shaped by the contours of the female form. The flat style was chosen for its bold clarity and graphic immediacy—allowing the letterforms to speak powerfully and unapologetically, without distraction.

Type Specimen Posters 
A pair of type specimen posters showcasing both versions of My Body—flat and volumetric. Each poster highlights the distinct character of the font: the flat version offers bold, graphic impact, while the volumetric style introduces depth and form, echoing the physicality that inspired the typeface.

A two-part gallery catalogue explores the importance of context in the perception of graffiti. The graphic context is reversed: graffiti walls are presented in a neat and editorial fine art frame, while the actual gallery pieces are presented in the style of the first-ever DIY graffiti magazine (printed in black and white and photocopied for friends). The aim is to highlight the fleeting nature of perception, especially when applied to a controversial artistic movement like graffiti. In this art form, more than any other, we often let the context dictate our opinion.

The little Prince 
A cover illustration inspired by Antoine de Saint-Exupéry’s timeless tale. This piece captures the story’s poetic spirit, blending wonder, solitude, and imagination through a delicate visual language.

Ecosystems in Contrast
A series of environmental illustrations highlighting the difference between untouched, thriving rainforest ecosystems and those degraded by human activity, depicting the impact of logging, over-industrialisation, and the dumping of waste.