A two-part gallery catalogue explores the importance of context in the perception of graffiti. The graphic context is reversed: graffiti walls are presented in a neat and editorial fine art frame, while the actual gallery pieces are presented in the style of the first-ever DIY graffiti magazine (printed in black and white and photocopied for friends). The aim is to highlight the fleeting nature of perception, especially when applied to a controversial artistic movement like graffiti. In this art form, more than any other, we often let the context dictate our opinion.